Mini book reviewsPosted: June 2, 2017
Just a quick post today. As I’ve been reading a lot recently, I thought I’d write some ‘mini reviews’ of some of my recent reads. Let me know what you think!
The Honeymoon by Tina Seskis – 4.5*
As with a lot of recent novels, this book employs the ‘unreliable narrator’ trope, which I personally enjoy, but only when done right. I can happily confirm that this book is one of the ones which uses this technique successfully. As I was reading, I often felt one of the narrators (Jemma, our main protagonist) was being purposely misleading and, having read a book recently which flat-out deceives the reader (see Under Your Skin…), was worried that this book would take the same course. It doesn’t and in fact, uses the unreliability of Jemma to develop her as an interesting yet flawed 3-dimensional character. I found her character intriguing, which is good as the reader spends a lot of time ‘in her head’, despite there being several other minor narrators and a little bit of head-hopping, all of which add depth to the story.
At no point did I guess the ending (which is a feat these days..!) and when all was finally revealed at the end I felt a chill run down my spine. I can pretty much guarantee that you will have no idea as to what will happen in the end, and when you do find out, it will smack you in the face (in a good way, of course). Would recommend to anyone interested in domestic thrillers or unreliable narrators.
Thirteen Reasons Why by Jay Asher – 5*
Heartbreaking, eye-opening, complex and sometimes chilling. Honestly, this book left me speechless. I read it all in a day. It feels weird to say I enjoyed reading it due to the subject it covers, but I did. It kept me hooked the whole way through and I think Asher dealt with a sensitive subject in a clever and absorbing way. I would recommend this book to anyone, although trigger warning (suicide is the main theme).
He Said / She Said by Erin Kelly – 5*
Intriguing, unique and not at all predictable, He Said/She Said is part twisty thriller/part courtroom drama with a little bit of eclipse chasing sprinkled in for good measure. The characters are relatable and charming, yet flawed, and the relationships created by Kelly are intricate and believable. The main couple, protagonists Kit and Laura, are perhaps my favourite – I think Kelly manages to capture the ‘met-at-uni-been-together-since’ relationship delightfully. Although the novel explores distressing themes at times, it does so with the utmost care and sensitivity, resulting in an emotionally-charged book which raises some important questions and issues. A very clever, enjoyable and emotionally-complex read. I loved it!
Reservoir 13 by Jon McGregor – 3*
This book was completely different to what I expected, hence I’m finding it quite hard to review. The book is obviously amazingly written, fabulously plotted and creates a vivid and wonderful sense of place and time, but I couldn’t help but find it a little hard to follow sometimes, due to the vast amount of characters and the ‘omniscient head-hopping’. What one expects to be the main plot (the missing girl) although constantly there, is pushed to the background as the writing instead focuses on the effect this has on the village, more so than explicitly about the crime itself. This is not a bad thing, in fact, it’s a very interesting choice made by the author that ensures the books stands out, although may be a little disappointing for anyone expecting a ‘crime thriller’. Overall, this book is written wonderfully but sadly will not appeal to everyone due to its unique narrative style.
Boundary by Andree A Michaud – 5*
A beautifully written and suspenseful literary work of which I enjoyed every page. Murder, mystery and folklore weave with vivid imagery and expertly created characters in this hauntingly memorable exploration of adolescence, sexuality and community. A time consuming yet massively rewarding read.
Do Not Become Alarmed by Maile Meloy – 3*
Do Not Become Alarmed is a book unlike any I’ve ever read before, in a number of different ways. The narrative style is unique – as opposed to having one main character which the book follows throughout, this novel utilises a ‘head-hopping’ style of narration. Although not my favourite style, it works for this book, as it effectively allows us to experience the novel’s events from the POV of several of the characters. Although this sounds confusing at first, it’s not, as the characters are well-developed, believable and distinctive, and each bring something new to the story. It’s an impressive feat to manage to successfully write in this style, as I have read many books with multiple narrators that don’t work. That said, I think the novel would have been just as interesting (and perhaps easier to connect with) if it was written from the perspective of two of the protagonists, perhaps one adult and one child. This however, is just a personal preference of mine.
The writing is descriptive and vivid, the storyline is captivating and Meloy’s writing style is competent and enjoyable, although may take a little time to get used to at first. Although I would recommend this book to others, I would warn prospective readers to leave any expectations at the first page – to fully appreciate this book, one needs to read and enjoy it for what it actually is, as opposed to what they might expect it to be.
Under Your Skin by Sabine Durrant – 3*
I loved this book right up until the last chapter. The writing was awesome, the narrator was engaging and I was hooked. That was, up until the reveal. WTF is up with the ending? No spoilers, but it was such a disappointment. The rest of the novel had been building up to the climax, so why did I feel that the climax and the ‘answer’ to all of my questions came out of nowhere and were added purely for shock value? I’ve noticed this with Durrant’s other book, Lie With Me, in which she did exactly the same thing – chose the most shocking ending and ran with it, despite its unbelievability.
It’s such a shame because I love her writing style, her creation of engaging characters and her ability to insert humour into her books. I was excited to spend my next Audible credit on one of her other books, but I won’t be doing that now 😦
The Ridge by John Rector – 5*
Part Linwood Barclay, part Hemlock grove, this is hands-down one of the best novels I’ve read in a long time. As cliche as it sounds, I read it in only a couple of hours and not once did I guess the ending or any of the twists, although expertly weaved flashbacks and carefully placed clues ensured that the eventual conclusion and reveal was satisfying and adrenaline inducing.
The writing is detailed enough to build a strong sense of place, but not too much so that the plot is bogged down by description, and the twist is one of the best I’ve ever read. Rector expertly creates a world which, on the surface seems idyllic, but it’s not long until the cracks begin to show, leaving the reader with spine chills and goosebumps aplenty.
I would 100% recommend this title and will be actively seeking other titles by Rector. Everyone should read this novel!
The Last Girl by Joe Hart – 4*
I would describe this book as Margaret Atwood’s The Handmaid’s Tale meets Scott Westerfield’s Uglies. Surprisingly enough, it works! I particularly enjoyed Hart’s third-person present narration – his ability to conjure up an almost tangible image using simple yet well-chosen words is a rare skill, which deserves applause.
One slight gripe I do have is that the middle of the novel dragged a little too much for my liking. The fast pace which I had grown accustomed to petered out and became almost painfully slow – I found myself skipping pages of description in several instances, hence why I have awarded 4 stars not 5.
It’s all too easy to leave too many unanswered questions in a series, but I’m happy to report that this was not the case with The Last Girl and I was sufficiently happy with the ending of the novel.
I would recommend this title and will hopefully get around to reading the rest in the series.
The House by Simon Lelic – 5*
Part murder-mystery, part domestic thriller, The House is a purely unique thrill ride, of which I enjoyed every page. Written in a conversational style, this novel’s structure and narrative voice is fresh and new – the chapters alternate between our two unreliable narrators and protagonists, Jack and Syd, as they try to figure out what on earth is happening in their new house. The style is evocative of a kind of ‘journalistic conversation’ between the two, a style unlike anything I’ve experienced before and it works well, effectively portraying the vague sense of unease at the beginning of the novel, the paranoia and violence in the middle, and finally through to the explosive climax of which you won’t see coming. As tense as it is clever, The House is a wonderfully-crafted, clever and heart-wrenching novel, which will leave your heart racing.
A quote from this review attributed to me can be found in the paperback version of this book!